Coming up on Sunday 11 November 2018. Bookings can be made through Try Booking 

 

Remembrance Day-11 Nov-flyer final

Read Jill Jones’ brilliant call for submissions with a focus on matter and things, a theme after my own heart.

Plumwood Mountain

What is your interest in things and their syntax? How might a poem discover their vibrance, movement, resonance, their turning? So, sound, narrate, list, complicate, fold and unfold the things of this world, in their over-thereness, in their beside-hereness, in their still life, their other life, their non-human-life, their between-life, their part-of-human life. I want to read this. (Jill Jones) 

Submissions are now open until Sunday 28 October 2018, for Plumwood Mountain 6, 1 (Feb 2019), guest edited by Jill Jones. Read the full prompt for submissions and submissions guidelines here before you send us your work.

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Plumwood Mountain

‘The sound of rain: a constant, pink noise that hurtles behind these poems. Like the elemental soundtrack to a Bill Viola film, water clattering on stone.’ So begins Bonny Cassidy’s editorial to the current issue of Plumwood Mountain journal. You can find the contents listing here. There are 25 poems to enjoy.

IMGP1121 Macquarie Island. Photo © Bonny Cassidy.

In addition to poetry we have an essay-haiku-like reflection on whales from Daniel Helman, a dense imagistic essay dancing between Trump, the author’s father and Virginia Woolf from Meredith Wattison, a conversation between Amy Lin and Caitlin Maling, and a photo essay from the exhibition In The Opencollaborative artworks around place, landscape and environment, curated by Judith Tucker and Harriet Tarlo, held in conjunction with the ASLE-UKI &Land2 Conference 2017: Cross Multi Inter Trans that I was fortunate to attend in Sheffield, UK, in September 2017. We published…

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PoetsvAdani image

Thanks to Stop Adani campaign for great images from last night’s Melbourne launch of hope for whole: poets speak up to Adani, a few eBook you can read more about and download here. Nearly 20 poets read their poems from a book representing over 60 poets writing in protest at big coal, concern about climate change, and vision of different world. You can read the media release here: Media Release-Launch of hope for whole-poets speak up to Adani-Melbourne2018

Thanks to Charlie, and Stop Adani campaign, for the photos, collation and graphic.

Over at Plumwood Mountain journal you can download the free eBook in support of the Stop Adani campaign, hope for whole: poets speak up to AdaniThere is a launch coming up in Melbourne on Tuesday 27 March 2018. Launches in Sydney and other cities to follow in coming months.

hope-for-whole-launch-flyer

On Wednesday 24 January 2018, at the Wheeler Centre, I was fortunate to be part of a double launch with Jeanine Leane whose Walk Back Over is a strong work of non-fiction poetry. The launch speeches and our readings were recorded by Australian Poetry and are now available on Sound Cloud. My gratitude to Kent MacCarter, Bonny Cassidy, Jeanine Leane, Timmah Ball, Jacinta Le Plastrier, Australian Poetry and The Wheeler Centre.

At a launch there are always things that don’t get said as well as things that do. My connection with the Binnap Partners of Aboriginal Catholic Ministry Victoria was mentioned, and I commented that I am not very active with the Partners now, nor have been for some time, especially since I moved away from the inner city to Seaford. But what I needed to say is that were it not for being introduced to Aboriginal Catholic Ministry and their Binnap Partners back in 1995, White on White (Cordite Books 2018) would not have come about, and Kin (Five Islands Press 2014) would be very different.

Aboriginal Catholic Ministry is an Indigenous initiated and led organisation that, as their 1996 publication Invisible No More tells, traces its beginnings to house meetings in 1984. The ministry developed a model of partnership and invited non-Indigenous people to share this vision as Binnap partners from 1992. The Binnap, a Wurundjeri word, is a seed from the manna gum, that nourished both Indigenous and, in early colonial times, non-Indigenous people. It was chosen by the group “to symbolise the possibility of sharing and being nurtured by the same source” (ACM-Binnap Partners).

In 1995 I was invited by Marg Hill who then worked for Aboriginal Catholic Ministry to consider joining the Binnap partners, and I have been in contact with them over the intervening years, participating in meetings and meals in the early years, occasional Eucharists and events, a bit of editing assistance with Aunty Betty Pike one year, but very little (next to nothing, and I am not being humble saying that) in comparison to what I received by way of education.

In addition to  what I learnt from occasional and informal interactions with Aboriginal Catholic leaders at the Ministry, three things stand out: the first Binnap workshops I attended; the Thooami retreats in the Barmah forest; the Vigil recalling massacres in Victoria. I recollect the last of these in the poem “On All Souls’ Eve ^” ( you can read this  poem in a free ebook from Cordite: 20 Poets).

The Binnap workshops took us through a shared history, the way non-Indigenous people are confronted by the violence underpinning our being here and how it challenges our desire to see ourselves as good people, the way both Indigenous and non-Indigenous people are in ongoing grief (but differently) because of colonisation, especially both the theft of Country and ensuing dispossession, the policies of assimilation and the stolen generations (and in the last 10-11 years we can add the Intervention, first known by Government as the Northern Territory Emergency Response, NTER). I recall mentioning to a Yorta Yorta woman toward the end of one such day the word “reconciliation”; she firmly said “no, not reconciliation; solidarity”. We were not there yet, nor are we now.

The Thooami retreats were held on Yorta Yorta Country in the Barmah Forest where we spent time learning from Yorta Yorta the history of their struggle, being invited to quietly listen to the land, seeing the damage to the soil from cattle, and sitting round camp fires  in the evening being told ghost and other tall stories. That quality of attentiveness to Country combined with political action, and personal interaction, helped inform my writing in Claimed by Country, Kin, and White on White.

In her poem “Whitefellas” which you can hear in the recording above, Jeanine Leane writes “Truth is, Australia doesn’t work / without Aborigines!” My own work in biblical and ecotheological research and poetry would have taken a very different track but for those interactions (unquantifiable and unrepayable) with Aboriginal Catholic Ministry and the Binnap Partners, especially in the second half of the 1990s. I offer my thanks and hope that my writing is a small, necessarily inadequate, contribution to the possibility of a different future together.

 Leane & Elvey covers

On Thursday 7 December 2017, two books I coedited with Keith Dyer and Deborah Guess were launched by Deborah Storie and Bruce Duncan at Whitley College Library. Here is a photo from the launch, featuring the editors, some of the contributors and the two launchers. Thanks to Steve Lyall and Whitley College for the photo:

 

and here are the books:

 

Plumwood Mountain

Poets Speaking up to Adani Proposed eBookJoin 43 poets who spoke up against Adani in Plumwood Mountain‘s online Day of Action on 30 October 2017 in being part of a free eBook resource of poetry for the Stop Adani campaign. You can also view the call for submissions here: Poets Speaking up to Adani Proposed eBook (Poems may be previously published. Please include publication details where relevant).

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Source: Coming up from 8.00am AEDT today: Poets speaking up to Adani

WhiteonWhite

Officially published January 2018, pre-publication copies are available now from Cordite Books. The launch together with Jeanine Leane’s Walk Back Over is on 24 January 2018. I am so grateful to Kent MacCarter and the Cordite Books team for their wonderful work on the book.

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